Inuk Ink / ᐃᓄᒃ ᐸᐅ / Inuk Pau

Panel discussions


Inuk Ink is a two-part online panel series organized by SAW’s Nordic Lab in partnership with Inuit Futures in Arts Leadership: The Pilimmaksarniq / Pijariuqsarniq Project. Invited panelists will discuss different aspects of traditional Inuit tattooing. Alethea Arnaquq-Baril (Iqaluit) and Katia d’Argencourt (Ottawa) will speak about the reclamation of Inuit tattoos, and Arsaniq Deer (Montréal) and Zorga Qaunaq (Ottawa) will reflect on the impact that traditional tattoos have on individuals and their communities. Both panels will be moderated by artist Aedan Corey (Ottawa). Each panel will be followed by a 15-minute Q&A session.

The presentations will be in English.

Wednesday, April 27, 2022 at 7PM (EST)

Alethea Arnaquq-Baril and Katia d'Argencourt
The Reclamation of Kakiniit

Click here to register.

Through their separate experiences with researching, practicing and receiving traditional Inuit tattoos, Alethea Arnaquq-Baril and Katia d’Argencourt will discuss the process of reclaiming tunniit and kakiniit, facial and body tattoos, in all of its complexities.

Alethea Arnaquq-Baril is an Inuk filmmaker from the Canadian Arctic, where she has been producing and directing through her company Unikkat since 2005. In 2016, she joined forces with fellow Inuk filmmaker Stacey Aglok MacDonald to launch their current company, Red Marrow Media. Arnaquq-Baril directed and produced the award-winning APTN mid-length documentary TUNNIIT: Retracing the Lines of Inuit Tattoos(ImagineNATIVE, 2011) about the history and importance of traditional Inuit tattoos. She also previously directed and produced the critically acclaimed film ANGRY INUK, a feature documentary about Inuit coming up with new and provocative ways to deal with international seal hunting controversies. Most recently, Arnaquq-Baril was a producer on the award-winning feature film THE GRIZZLIES (TIFF, 2018). Arnaquq-Baril has an extensive history of advocacy, policy development and community representation through two decades of volunteering on the boards of various arts and education

Katia Nipisa Rebecca d’Argencourt was born and raised in Niaqunngut (Apex), Iqaluit, Nunavut. Many of her childhood memories lie on the island. At the age of 13, d’Argencourt moved to the Yukon and later to the Northwest Territories, where she graduated from high school in Yellowknife. This is where she met her mentor, Hovak Johnston, who introduced her to traditional Inuit tattooing in 2017. D’Argencourt’s drive to help Inuit reclaim their heritage and culture was strengthened when she witnessed the positive and powerful impact of tuuniit reclamation through multiple tattooing projects in northern communities. Today, she continues her journey as a traditional tattoo artist and young Inuk living between two worlds, with the hopes to pass on her knowledge to those who wish to learn and understand the historical act of cultural reclamation.

Wednesday, May 11, 2022 at 7PM (EST)

Arsaniq Deer and Zorga Qaunaq
The Impact of Reclamation

Click here to register.

Inuit tattooists Arsaniq Deer and Zorga Qaunaq will address the impact that the reclamation of Inuit tattoos has had on not only the individuals receiving their markings but also on their communities.

Arsaniq Deer is a 22-year-old traditional tattoo artist, beader, seamstress and painter from a small village of around 500 people, Quaqtaq, Nunavik. She was first introduced to traditional Inuit tattooing during her studies at Nunavik Sivunitsavut and quickly became interested in the practice. Her first experience with tattooing came when she was invited by Hovak Johnston to help tattoo her mother, Beatrice Deer. This event led to Deer’s apprenticeship as a tattoo artist and was the beginning of her tattoo practice, which she continues today. Deer currently lives in Montréal.

Zorga Qaunaq is an Inuk originally from Igloolik, Nunavut. She has since lived in Nunatsiavut, Nunavik, and Iqaluit, Nunavut. After attending the Indigenous Studies program at the University of Ottawa, Qaunaq is now based in Ottawa. She works full-time at the college Nunavut Sivuniksavut, where she is a facilitator and teaches Inuktitut. In her free time, Qaunaq works to revitalize traditional Inuit tattooing practices. She also creates sealskin jewelry as a co-owner of Chinu Designs. Qaunaq hopes to open up a dialogue about Inuit culture and identity with tattoos and to help strengthen the relationship between Inuit and their history.

ᐃᓄᒃ ᐸᐅ (Inuk Ink)

ᒪᕐᕈᐃᓱᕐᓗᑎᑦ ᖃᕆᓴᐅᔭᒃᑯᑦ ᑲᑎᒪᑎᑦᓯᖃᑦᑕᓂᐊᕐᑐᑦ ᐋᖅᑭᑦᓱᕐᑕᐅᓯᒪᓪᓗᑎᑦ ᓵ ᓄᐊᑎᒃ ᓛᑉᑯᓐᓄᑦ(SAW’s Nordic Lab) ᑲᑐᔾᔨᖃᑎᖃᕐᑐᑎᑦ ᐃᓄᐃᑦ ᓯᕗᓂᒃᓴᓕᕆᔨᖏᓐᓂᑦ ᑎᑎᕋᐅᔭᕐᑏᑦ ᓯᕗᓕᕐᑎᖏᑦ (Futures in Arts Leadership): ᐱᓕᒻᒪᑦᓴᕐᓂᖅ / ᐱᔭᕆᐅᕐᓴᓂᖅ ᐃᓕᓐᓂᐊᖃᑎᒌᓐᓂᖅ. ᐱᖃᑕᐅᖁᔭᐅᓯᒪᔪᑦ ᑲᑎᒪᖃᑕᐅᓂᐊᕐᑐᑦᐅᖃᖃᑎᒌᓐᓂᐊᕐᑐᑦ ᐱᐅᓯᑐᖃᒃᑯᑦ ᐃᓄᐃᑦ ᑐᓐᓂᓕᐅᕈᓯᖏᓐᓂᑦ (ᑲᒃᑭᓃᑦ). ᐊᓖᓯᐊ ᐊᕐᓇᖅᑯᖅ−ᐳᕆᐅᓪ (ᐃᖃᓗᐃᑦ) ᐊᒻᒪᑳᑎᐊ ᑎ’ᔮᓐᑯᐊᑦ (ᐋᑐᕚ) ᐅᖃᐅᓯᖃᕐᓂᐊᕐᑑᖕ ᐅᑎᖅᑎᑦᓯᓇᓱᐊᕐᓂᖕᒥᑦ ᐃᓄᐃᑦ ᑐᓐᓂᓕᐅᕈᓯᖏᓐᓂᑦ ᐊᒻᒪ ᐊᖅᓴᕐᓂᖅ ᑎᐅ(ᒪᓐᑐᓕᐊ) ᐊᒻᒪ ᔪᐊᒐ ᖃᐅᕐᓇᖅ (ᐋᑐᕚ)

ᐅᓂᒃᑳᓂᐊᕐᑑᖕ ᖃᓄᑎᒋ ᐱᐅᓯᑐᖃᒃᑯᑦ ᑐᓐᓃᑦ ᐃᑉᐱᓐᓂᕈᑕᐅᓯᒪᒻᒪᖔᑕ ᐃᓄᓐᓄᑦ ᓄᓇᖏᓐᓄᓗ. ᑕᒪᒃᑮᓐᓂ ᑲᑎᒪᓕᕐᐸᑕᑐᑭᒧᐊᕐᑎᑦᓯᔨᖃᕐᓂᐊᕐᑐᑦ ᑎᑎᕋᐅᔭᕐᑎᒥᑦ ᐊᐃᑎᓐ ᑯᐊᕆᒥᑦ (ᐋᑐᕚ). ᐃᒥᒃᑯᑦ ᑲᑎᒪᒌᕋᐃᑉᐸᑕ 15−ᒥᓂᑦᔅᒥᑦ ᐊᐱᖅᓱᖅᑕᐅᓗᑎᑦᑭᐅᖃᑦᑕᕐᓗᑎᓪᓗ.

ᐅᓂᒃᑳᓂᐊᕐᑐᑦ ᖃᓪᓗᓈᑎᑐᑦ.

ᐱᖓᑦᓯᖅ, ᐃᑉᐳᕈ 27, 2022 – 7− ᒧᖅᑲᑦ ᐅᓐᓄᒃᑯᑦ ( ᑲᓇᓐᓇᐅᑉ ᓯᕿᓐᖑᔭᖓᒍᑦ)

ᐊᓖᓯᐊ ᐊᕐᓇᖅᑯᖅ− ᐳᕆᐅᓪ ᐊᒻᒪ ᑳᑎᐊ ᑎ’ ᔮᓐᑯᐊᑦ

ᐅᑎᖅᑎᑕᐅᕙᓪᓕᐊᓂᖏᑦ ᑐᓐᓃᑦ

ᐅᓇ ᓇᕿᓪᓗᒍ ᐊᑎᓕᐅᖃᑕᐅᔪᒪᒍᕕᑦ.

ᐃᒥᒃᑯᑦ ᐊᑐᖅᓯᒪᔭᒥᒍᑦ ᖃᐅᔨᓴᕐᑐᑎᖕ, ᐊᑐᖅᐸᑦᑕᒥᓂᖕ ᐊᒻᒪ ᐱᐅᓯᑐᖃᕐᑎᒍᑦ ᐃᓄᑦᑎᑐᑦ ᑐᓐᓂᓕᐅᕐᑕᐅᓯᒪᓪᓗᑎᑦ, ᐊᓖᓯᐊᐊᕐᓇᖅᑯᖅ−ᐳᕆᐅᓪ ᐊᒻᒪ ᑳᑎᐊ ᑎ’ᔮᓐᑯᐊᑦ ᐅᖃᐅᓯᖃᕐᓂᐊᕐᑑᖕ ᖃᓄᖅ ᐅᑎᖅᑎᑕᐅᕙᓪᓕᐊᒻᒪᖔᑕ ᑐᓐᓃᑦ ᐊᒻᒪ ᑲᒃᑭᓃᑦ,ᑮᓇᒃᑯᑦ ᑎᒥᒃᑯᓪᓗ ᑐᓐᓃᑦ, ᖃᓄᑎᒋᓗ ᐱᔭᕆᐊᑐᑎᒋᒻᒪᖔᑕ.

ᐊᓖᓯᐊ ᐊᕐᓇᖅᑯᖅ−ᐳᕆᐅᓪ ᐃᓄᖕ ᑕᕆᔮᑦᓴᓕᐅᕐᑎ ᑲᓇᑕᐅᑉ ᐅᑭᐅᖅᑕᖅᑐᐊᓂᒥᐅᖅ ᓴᖅᑭᑎᑦᓯᖃᑦᑕᕐᓯᒪᔪᖅᑐᑭᒧᐊᕐᑎᑦᓯᔨᐅᓪᓗᓂᓗ ᑕᕐᕆᔮᑦᓴᓂᑦ ᓇᖕᒥᓂᖅ ᑲᒻᐸᓂᒥᒍᑦ ᐅᓂᒃᑳᑦ 2005−ᒥᓂᖕ. ᐊᕐᕌᒍᖓᓂ 2016, ᑲᑐᔾᔨᖃᑎᑖᓚᐅᕐᑐᖅᑕᕐᕆᔮᑦᓴᓕᐅᕐᑎᐅᖃᑎᒥᓂᖕ ᐃᓄᖕ ᓯᑕᐃᓯ ᐊᒡᓗᒃ ᒪᒃᑖᓄᑦᒥᑦ ᐱᓐᖑᕐᑎᑦᓯᓪᓗᑎᖕ ᒫᓐᓇ ᓇᖕᒥᓂᕆᓕᕐᑕᒥᓂᖕ, ᕆᐊᑦ ᒥᐅᕈᑐᓴᐅᑎᓕᕆᔩᑦ (Red Marrow Media). ᐊᕐᓇᖅᑯᖅ−ᐳᕆᐅᓪ ᑐᑭᒧᐊᕐᑎᑦᓯᔨᐅᓚᐅᕐᓯᒪᔪᖅ ᓴᖅᑭᑎᑦᓯᓪᓗᓂᓗᑕᕐᕆᔮᓕᐊᒥᓂᖕᒥᓂᒃ ᓵᓚᑦᓴᐅᓯᐊᕈᑎᒋᓚᐅᕐᑕᖓ ᓄᓇᖃᖅᑳᕐᓯᒪᔪᑦ ᑕᕐᕆᔮᕐᓴᓕᐅᕐᑎᖏᑎᒍᑦ (APTN) ᑕᑭᔪᑲᓪᓚᐅᓪᓗᓂᐅᓂᒃᑳᓯᓐᓈᑦ ᑕᑯᓐᓇᕋᔭᑦᓴᓕᐊᒥᓂᖓ

ᑐᓐᓃᑦ: ᑐᑭᓯᓇᓱᐊᕐᑐᓂ ᑐᓐᓃᑦ ᑐᑭᖏᓐᓂᑦ (ImagineNATIVE, 2011) ᓯᕗᓕᑦᑎᓃᓐᖔᕐᓂᖏᑦ ᐱᒻᒪᕆᐅᓂᖏᑕᓗᐱᐅᓯᑐᖃᒃᑯᑦ ᐃᓄᐃᑦ ᑐᓐᓂᖏᑦ. ᐅᐊᑦᓯᐊᕈᒃᑲᓂᑦᑕᐅᖅ ᑐᒧᑭᐊᕐᑎᑦᓯᔨᐅᓚᐅᕐᓯᒪᔪᖅ ᑕᕐᕆᔮᑦᓴᐅᓕᕐᑐᓂᓗᐃᓕᑕᕆᔭᐅᓯᒪᒻᒪᕆᑦᑐᖅ ᓂᓐᖓᐅᒪᔪᖅ ᐃᓄᒃ [ANGRY INUK], ᐅᓂᒃᑳᕐᓯᓐᓈᑦ ᑕᕐᕆᔮᓕᐊᒥᓂᖓ ᐃᓄᐃᑦᖃᓄᖅᑑᖅᓯᒪᓪᓗᑎᑦ ᓄᑖᒃᑯᑦ ᐊᓯᒃᑲᓐᓂᐊᒍᑦ ᑕᑯᕐᕙᓪᓚᑦᑕᐅᔾᔪᑕᐅᔪᓐᓇᕐᑐᓂᓪᓗ ᖃᐅᔨᒃᑲᕐᓵᕆᓪᓗᑎᑦ ᓯᓚᕐᔪᐊᕐᒥᐅᓂᑦ ᓇᑦᓯᕐᓂᑦᐊᖑᓇᓱᖃᑦᑕᓂᖕᒥᑦ ᓄᖅᑲᖓᑎᑦᓯᓇᓱᐊᕐᑐᓄᑦ. ᒫᓐᓇᓂᓴᐅᓂᕐᐹᖅ, ᐊᕐᓇᖅᑯᖅ−ᐳᕆᐅᓪ ᑕᕐᕆᔮᑦᓴᓕᐅᖃᑕᐅᓚᐅᕐᑐᖅᓵᓚᑦᓴᕈᑕᐅᓚᐅᕐᑐᒥᑦ ᑕᕐᕆᔮᓕᐊᒥᓂᖕᒥᑦ ᒍᕆᔅᓕᔅ [THE GRIZZLIES] (TIFF, 2018). ᐊᕐᓇᖅᑯᖅ−ᐳᕆᐅᓪ ᐊᑯᓂᑲᓪᓛᓗᖕᓂᐱᒋᔭᐅᖃᑦᑕᕐᓯᒪᔪᖅ ᑕᑎᒋᔭᐅᓂᒃᑯᑦ, ᐊᑐᐊᒐᕐᓂᑦ ᐱᕙᓪᓕᐊᑎᑦᓯᕙᑦᑐᓂ ᐊᒻᒪ ᓄᓇᓕᓐᓂᑦ ᑭᒡᒐᕐᑐᐃᕙᑦᑐᓂ ᐊᕐᕌᒍᓂᑦᐊᕙᑎᓂᑦ ᐊᑭᓕᕐᓱᖅᑕᐅᒐᓂ ᑲᑎᒪᔨᐅᕙᑦᑐᓂ ᐱᓐᖑᐊᓂᖕᒧᑦ ᑎᑎᕋᐅᔭᕐᓂᖕᒧᓪᓗ ᐊᒻᒪ ᐃᓕᓐᓂᐊᕐᑐᓕᕆᓂᖕᒧᑦ ᑲᑐᔾᔨᖃᑎᒌᓂ.

ᑳᑎᐊ ᓂᐱᓴ ᐅᓖᐱᑲ ᑎ’ᔮᓐᑯᐊᑦ ᐃᓅᓚᐅᕐᓯᒪᔪᖅ ᐱᕈᕐᓴᕐᓗᓂᓗ ᓂᐊᖁᓐᖒᒥ (ᓂᐊᖁᓐᖒ), ᐃᖃᓗᓐᓂ, ᓄᓇᕗᑦ. ᐃᖅᑲᐅᒪᔭᖏᓪᓕ ᓱᕈᓯᐅᓪᓗᓂ ᓄᓇᖃᖅᑐᓂ ᕿᑭᖅᑕᓂ. ᐅᑭᐅᖃᖅᑐᓂ 13−ᓂᑦ, ᑎ’ᔮᓐᑯᐊᑦ ᓄᑦᑎᓚᐅᕐᓯᒪᔪᖅ ᔫᑳᓐᒧᑦ, ᑭᖑᓂᐊᒍᓪᓗ ᓄᓇᑦᓯᐊᕐᒧᑦ, ᐃᓕᓐᓂᐊᕇᕐᑐᓂ ᐃᓕᓐᓂᐊᕐᕕᐊᓗᖕᒥ ᖁᑦᓯᓂᕐᓴᒥ ᔭᓗᓇᐃᕝᒥ. ᑕᐃᑲᓂ ᐃᓱᒪᑕᕐᒥᓂᖕᑲᑎᓯᓚᐅᕐᓯᒪᔪᖅ, ᕼᐅᕙᒃ ᔮᓐᔅᑕᓐᒥᑦ, ᖃᐅᔨᒃᑲᕐᑐᓂᐅᖕ ᐃᓄᐃᑦ ᑐᓐᓂᐅᕈᓯᑐᖃᖏᓐᓂᑦ 2017−ᖑᑎᓪᓗᒍ. ᑎ’ᔮᓐᑯᐊᑦᐊᑦᓱᕉᑎᖃᕐᓂᖓ ᐃᓄᐃᑦ ᐅᑎᖅᑎᑦᓯᕙᓪᓕᐊᖁᓪᓗᒋᑦ ᐱᐅᓯᑐᖃᕐᒥᓂᖕ ᐃᓕᖅᑯᓯᒥᓂᓪᓗ ᓴᓐᖓᑎᒃᑲᓂᓚᐅᕐᑐᖅ ᐅᔾᔨᕈᓱᓕᕋᒥᖃᓄᑎᒋ ᐊᑲᐅᓯᕚᓪᓕᕈᑕᐅᒻᒪᖔᑦ

ᓴᓐᖓᑎᑉᐸᓪᓕᐊᒍᑕᐅᓂᖏᑕᓗ ᑐᓐᓃᑦ ᐅᑎᖅᑎᑕᐅᕙᓪᓕᐊᓂᖏᑦ, ᐊᒥᓱᐃᖅᓱᖅᑐᑎᑦ ᑐᓐᓂᓕᐅᖃᑦᑕᓕᓚᐅᕐᖓᑕᐅᑭᐅᖅᑕᖅᑑᑉ ᓄᓇᖏᓐᓂ. ᒫᓐᓇᒃᑯᓪᓕ, ᑲᔪᓰᓐᓇᖅᑐᖅ ᐱᐅᓯᑐᖃᒃᑯᑦ ᑐᓐᓂᓕᐅᕐᑎᐅᓪᓗᓂ ᑲᒃᑭᓂᒃᑯᑦ ᐊᒻᒪ ᐃᓅᓱᑦᑑᓪᓗᓂᐃᓅᓪᓗᓂ ᒪᕐᕉᓕᖓᔫᓐᓂ ᐃᓕᖅᑯᓯᖃᓕᕐᑎᓪᓗᑕ, ᓂᕆᐅᑦᑐᖅ ᖃᐅᔨᕙᓪᓕᐊᓯᒪᔭᒥᓂᖕ ᑭᖑᕚᓄᑦᐃᓕᓐᓂᐊᕐᑎᑦᓯᕙᓪᓕᐊᔪᒪᔪᖅ ᐃᓕᓐᓂᐊᕈᒪᔪᓄᑦ ᑐᑭᓯᕙᓪᓕᐊᒍᒪᔪᓄᓪᓗ ᖃᓄᖅ ᐃᓕᖅᑯᓯᕗᑦ ᓯᕗᓕᑦᑎᓐᓃᓐᖔᕐᑐᑦᐅᑎᖅᐸᓪᓕᐊᔪᓐᓇᕐᒪᖔᑕ.

ᐱᖓᑦᓯᖅ, ᒪᐃ 11, 2022 − 7− ᒧᖅᑲᑦ ᐅᓐᓄᒃᑯᑦ ( ᑲᓇᓐᓇᐅᑉ ᓯᕿᓐᖑᔭᖓᒍᑦ)

ᐊᕐᓴᓂᖅ ᑎᐊ ᐊᒻᒪ ᔪᐊᒐ ᖃᐅᓐᓇᖅ

ᐊᒃᑐᐃᓯᒪᓂᖓ ᐅᑎᖅᑎᑦᓯᓇᓱᐊᕐᓂᐅᑉ

ᐅᓇ ᓇᕿᓪᓗᒍ ᐊᑎᓕᐅᖃᑕᐅᔪᒪᒍᕕᑦ.

ᐃᓅᓪᓗᑎᖕ ᑐᓐᓂᓕᐅᕐᑎᐅᓪᓗᑎᖕ, ᐊᖅᓴᕐᓂᖅ ᑎᐅᕐ ᐊᒻᒪ ᔪᐊᒐ ᖃᐅᓐᓇᖅ ᐅᓂᒃᑲᐅᓯᖃᕐᓂᐊᕐᑑᖕ ᖃᓄᑎᒋ ᐊᒃᑐᐃᓯᒪᒻᒪᖔᑦᐅᑎᖅᑎᑦᓯᕙᓪᓕᐊᓂᖅ ᐃᓄᐃᑦ ᑐᓐᓂᓕᐅᕈᓯᖏᓂᑦ ᖃᓄᑎᒋᓗ ᓱᕐᕋᐃᓯᒪᒻᒪᖔᑦ ᐃᓄᓐᓂᑐᐃᓐᓇᐅᖏᑦᑐᖅ ᓄᓇᖏᓐᓂᑦᑕᐅᖅ.

ᐊᖅᓴᕐᓂᖅ ᑎᐅᕐ ᐊᕐᕌᒍᓕᒃ 22-ᓂᑦ ᐱᐅᓯᑐᖃᕐᑎᒍᑦ ᑐᓐᓂᓕᐅᕆᔨ ᑲᒃᑭᓂᒃᑯᑦ, ᓴᐸᖓᓕᕆᔨ, ᒥᖅᓱᖅᑎ ᐊᒻᒪ ᐊᒥᐊᕆᕙᑦᑐᓂᓄᓇᓕᕋᓛᖑᓂᕐᓴᒥᐅᑕᑦᓴᔭᐅᓪᓗᓂ ᐃᓄᖏᑦ 500−ᖏᓐᓃᑦᑐᑦ, ᖁᐊᖅᑕᖅ, ᓄᓇᕕᒃ. ᓯᕗᓪᓕᕐᐹᒥ ᖃᐅᔨᒋᐊᓐᖓᓚᐅᕐᑐᖅᐱᐅᓯᑐᖃᒃᑯᑦ ᐃᓄᐃᑦ ᑐᓐᓂᓕᐅᕈᓯᖏᓐᓂᑦ ᐃᓕᓐᓂᐊᕐᑐᓂ ᓄᓇᕕᒃ ᓯᕗᓂᑦᓴᕗᑦᒥ ᐊᒻᒪ ᖁᕕᐊᒋᓕᑦᓴᐅᑎᒋᓪᓗᓂᐅᖕᑐᓐᓂᓕᐅᕈᓯᖅ. ᓯᕗᓪᓕᖅᐹᒥ ᐊᑐᕆᐅᓚᐅᕐᑐᖅ ᑐᓐᓂᓕᐅᕐᓂᖕᒥᑦ ᕼᐅᕙᒃ ᔮᓐᔅᑕᓐ ᖃᐃᖅᑯᒻᒪᒍ ᐃᑲᔪᕐᑕᐅᔪᒪᓪᓗᓂ ᐊᓈᓇᖓᑐᓐᓂᓕᐅᕐᓂᐊᕋᒥᐅᖕ, ᐲᐃᑐᕆᔅ ᑎᐅᕐ. ᑭᖑᓂᐊᒍᑦ ᑎᐅᕐ ᐃᓕᓐᓂᐊᕐᓯᓐᓈᑦ ᑐᓐᓂᓕᐅᕐᑎᓐᖑᕐᐸᓪᓕᐊᓪᓗᓂ ᐊᒻᒪᐱᒋᐊᕐᕕᒋᓕᓚᐅᕐᑕᖓ

ᑕᐃᑦᓱᒪᓂ ᑐᓐᓂᓕᐅᕐᑎᐅᓂᖕᒥᑦ ᑲᒃᑭᓂᒃᑯᑦ, ᐅᓪᓗᒥᓱᓕ ᑲᔪᓰᓐᓇᖅᑐᖅ. ᑎᐅᕐ ᒫᓐᓇ ᒪᓐᑐᓕᐊᒥᐅᑕᐅᔪᖅ.

ᔪᐊᒐ ᖃᐅᓐᓇᖅ ᐃᓄᖕ ᐃᒡᓗᓕᒥᐅᑕᑦᓴᔭ, ᓄᓇᕗᑦ. ᓄᓇᖃᖅᓯᒪᓕᕐᑐᖅ ᓄᓇᑦᓯᐊᕗᑦ, ᓄᓇᕕᒃ, ᐊᒻᒪ ᐃᖃᓗᐃᑦ. ᐃᓕᓐᓂᐊᓚᐅᕐᑐᓂ ᓄᓇᖃᖅᑳᕐᓯᒪᔪᑦ ᐃᓕᓐᓂᐊᕈᓯᖏᓐᓂᑦ ᐋᑐᕚ ᓯᓚᑦᑐᖅᓴᕐᕕᔾᔪᐊᖓᓂ, ᖃᐅᓐᓇᖅ ᐋᑐᕚᒥᐅᑕᐅᓕᕐᑐᖅ. ᐃᖅᑲᓇᐃᔭᐃᓐᓇᖅᑐᖅ ᓯᓚᑦᑐᖅᓴᕐᕕᒻᒥ ᓄᓇᕗᑦ ᓯᕗᓂᒃᓴᕗᑦᒥ, ᑐᑭᒧᐊᕐᑎᑦᓯᔨ ᐃᓕᓴᐃᔨᐅᓪᓗᓂᓗ ᐃᓄᒃᑎᑐᑦ. ᐃᖅᑲᓇᐃᔭᕈᓐᓃᕋᐃᒐᒥ, ᖃᐅᓐᓇᖅ ᐅᑎᖅᑎᑦᓯᕙᓪᓕᐊᒐᓱᐃᓐᓇᕐᑐᖅ ᐃᓄᐃᑦ ᑐᓐᓂᐅᓕᕈᓯᑐᖃᖏᓐᓂᑦ. ᓴᓇᕙᒻᒥᔪᖅᕿᓯᕋᔭᓂᑦ ᓯᐅᑎᕈᑎᓂᑦ ᐅᔭᒥᓐᓂᓪᓗ ᓇᖕᒥᓂᖃᖃᑕᐅᓪᓗᓂ ᓰᓄ ᓴᓇᐅᒐᖏᑦ (Chinu Designs). ᖃᐅᓐᓇᖅ ᓂᕆᐅᑦᑐᖅᐅᖃᐅᓯᐅᕙᓪᓕᐊᖏᓐᓇᖁᓪᓗᒍ ᐃᓄᐃᑦ ᐃᓕᖅᑯᓯᑐᖃᖓ

ᐊᒻᒪ ᑭᓇᐅᓂᕗᑦ ᐅᓂᒃᑳᖓ ᑐᓐᓂᒃᑯᑦ, ᐊᒻᒪ ᓴᓐᖓᑎᑉᐸᓪᓕᐊᖁᓪᓗᒍ ᐃᓄᐃᑦ ᐃᓕᖅᑯᓯᑐᖃᖓ ᐊᑕᓂᖓᑕᓯᕗᓕᑦᑎᓐᓃᓐᖔᕐᑐᓂᑦ.

Inuk Ink / ᐃᓄᒃ ᐸᐅ / Inuk Pau

Inuk Pau (Inuk Ink) marruisurlutit qarisaujakkut
katimatitsiqattaniartut aaqqitsurtausimallutit SAW Nordic Labkunnut
katujjiqatiqaqtutit Inuit Sivuniksalirijinginnit titiraujaqtiit
sivulirtingit (Futures in Arts Leadership): Pilimmatsarniq /
Pijariursaniq ilinniaqatigiinniq. Piqatauqujausimajut katimaqatauniartut
uqaqatigiinniartut piusituqakkut Inuit tunniliurusinginnit (kakkiniit).
Alethea Arnaquq-Baril (Iqaluit) amma Katia d’Argencourt (Aatuvaa)
uqausiqarniaqtuung utiqtitsinasuarningmit Inuit tunniliurusinginnit amma
Arsaniq Deer (Muntulia) amma Zorga Qaunaq (Aatuvaa) unikkaarniaqtuung
qanutigi piusituqakkut tunniit ippinnirutausimammangaata Inunnut
nunanginnullu. Tamakkiinni katimalirpata tukimuartitsijiqarniaqtut
titiraujaqtimit Aedan Coreymit (Aatuvaa). Immikkut katigiiraippata
15−minitsmit apiqsurtaulutit kiuqatarlutillu.

Unikkarniaqtut qallunaatitut.

Pingatsiq, Ippuru 27, 2022 – 7−muuqqat unnukkut (kanannaup siqingujangagut)

Alethea Arnaquq-Baril amma Katia d’Argencourt

Utiqtitauvallianingit tunniit

Una naqillugu atiliuqataujumaguvit .

Immikkut atuqsimajamigut qaujisartuting, atuqpattamining amma
piusituqaqtigut Inuttitut tunniliurtausimallutit, Alethea Arnaquq-Baril
amma Katia d’Argencourt uqausiqarniaqtuung qanuq
utiqtitauvalliammangaata tunniit amma kakkiniit, kiinakkut timikkullu
tunniit, qanutigillu pijariatutimmangaat.

Alethea Arnaquq-Baril Inung tarrijaarsaliuqti kanataup
ukiuqtaqtuanimiuq saqqititsiqatarsimajuq tukimuaqtitsijiullunilu
tarrijaatsanit nangminiq kumpanimigut Unikkaat 2005−mining. Arragungani
2016, katujjiqatitaalaurtuq tarrijaatsaliurtiuqatimining Inung Stacey
Aglok MacDonald pingurtitsilluting maanna nangminirilirtaminning, Riat
Miuru Tusautilirijiit (Red Marrow Media). Arnaquq-Baril
tukimuartitsijiulilaursimajuq saqqititsillunilu tarijaaliaminirminik
saalatsausiarutigilaurtanga nunaqaqqaqsimajut tarijaatsaliurtingitigut
(APTN) takijukkallaulluni unikkaasinnaat takunaratsaliamininga Tunniit Tukinginnit
(ImagineNATIVE, 2011) sivulittinniingarningit pimmariuningitalu
piusituqakkut Inuit tunningit. Uatsiarukkanittauq
tukimuartitsijiulaursimajuq tarrijaatsaulirtunilu ilitarijausimamarittuq
Ningaumajuq Inuk [ANGRY INUK], unikkaasinnaat
tarrijaaliamininga Inuit qanuqtuuqsimallutit nutaakkut asikkanniagut
takurvallattaujjutaujunnartunillu qaujikkarsaarillutit silarjuarmiunit

angunasuqattarningmit nuqqangatitsinasuartunut. Maannanisauniqpaaq,
Arnaquq-Baril tarrijaatsaliuqataulaurtuq saalatsarutaulaurtuminingmit Gurislis [THE GRIZZLIES]
(TIFF, 2018). Arnaquq-Baril akunikallaalung nipigijauqattarsimjuq
tatigijaunikkut, atuagarnit pivalliatitsivattuni amma nunalinnit
kiggartuivattuni arraagunit avatinit akiliqsuqtaugani katimajiuvattuni
pinguarningmut titiraujarningmullu amma ilinniartuliriningmut

Katia Nipisa Rebecca d’Argencourt Inuulauqsimajuq pirursallunilu
niaqunguumi (Apex), Iqalunni, Nunavut. Iqqaumajangilli surusiulluni
nunaqaqtuni qikiqtani. Ukiuqaqtuni 13−nit, d’Argencourt nuttilaursimajuq
Jukaanmut, kinguniagullu Nunatsiarmut, ilinniariirtuni
ilinniarvialungmi qutsinirsami Jalunaivmi. Taikani isumatarmining
katisilauqsimajuq, Hovak Johnstonming, qaujikkartunniung Inuit
tunniliurusituqanginnit 2017-ngutillugu. d’Argencourt atsuruutiqarninga
Inuit utiqtitsivalliaqullugit piusituqaminning iliqqusirminillu
sangatikkanilaurtuq ujjirsulirami qanutigi akausivaallirutaummangata
sangatippaliagutauningitalu tunniit utiqtitauvallianingit,
amisuiqsuqtutit tunniliuqattalilaurngata ukiuqtaqtuup nungangani.
Maannakulli, kajusiinaqtuq piusituqakkut tunniliurtiulluni kakkinikkut
amma inuusuttuulluni marruulingajuunning iliqqusiqalirtilluta, niriuttuq
qaujivalliasimajamining kinguvaanut ilinniartitsivalliajumajuq
illinniarumajunut tukisivalliagumajunullu qanuq iliqqusivut
sivulittiniingartut utiqpalliajunnarmangaata.

Pingatsiq, Mai 11, 2022 − 7−−muuqqat unnukkut (kanannaup siqingujangagut)

Arsaniq Deer amma Zorga Qaunaq

Aktuisimaninga Utiqtitsinasuarniup

Una naqillugu atiliuqataujumaguvit

Inuulluting tunniliurtiulluting, Arsaniq Deer amma Zorga Qaunaq unikkausiqarniaqtuung qanutigi aktuisimammangaat utiqtitsivallianiq Inuit tunniliurusinginnit qanutigilu surraisimammangaat Inunnituinnaungittuq nunanginnittauq.

Arsaniq Deer arraagulik 22-nit piusituqaqtigut tunniliuriji
kakkinikkut, sapangaliriji, miqsuqti amma amiarivattuni
nunaliralaangunirsamiutatsajaulluni inungit 500−nginniitut, Quaqtaq,
Nunavik. Sivulliqpaami qaujigiangalaurtuq piusituqakkut Inuit
tunniliurusinginnit ilinniartuni Nunavik Sivuniksavutmi amma
quviagilitsautigilluniung tunniliurusiq. Sivulliqpaami aturiulauqtuq
tunniliurningmit Hovak Johnston qaiqummagu ikajuqtaujumalluni anaananga
tunniliurniaramiung, Beatrice Deer. Kinguniagut Deer ilinniasinnaat
tunniliurtingurpallialluni amma pigiarvigililaurtanga taitsumani
tunniliurtiuningmit kakkinikkut, ullumisuli kajusiinaqtuq. Deer maanna

Zorga Qaunaq Inung iglulimmiutatsaja, Nunavut. Nunaqaqsimaliqtuq
Nunatsiavut, Nunavik, amma Iqaluit. Ilinnialaurtuni nunaqaqqaqsimajut
ilinniarusinginnit Aatuvaa Silattusarvijjuangani, Qaunaq
Aatuvaamiutaulirtuq. Iqqanaijainnaqtuq silattusarvimmi Nunavut
Sivuniksavutmi, tukimuaqtitsiji ilisaijiullunilu Inuktitut.
Iqqanaijarunniiraigami, Qaunaq utiqtitsivalliagasuinnaqtuq Inuit
tunniliurusinginnit. Sanavammijuq qisirajanit siutirutinit ujaminnillu
nangminiqaqataulluni Siinu Sanaugangit (Chinu Designs). Qaunaq niriutuq
uqausiuvallianginaqullugu Inuit iliqqusituqanga amma kinaunivut
unikkanga tunnikkut, amma sangatippalliaqullugu Inuit iliqqusingat